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A dance of bits

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Album Production

The album has been recorded both in my home studio and at Abbey Road Studios in London. I have played and recorded most of the instruments (mainly keyboards and synths) while some session musicians have collaborated either remotely or in presence in the studios. So far I've had the pleasure and honor to work with John Anthony Helliwell (Supertramp's saxophonist), Adam Holzman (who has played keyboads and synths for Miles Davis, Robben Ford, Marcus Miller and Steven Wilson, among others), Patrick Clahar (saxophonist for Incognito, Pete Townshend, Mario Biondi and others) and I'm currently in contact with other respected musicians who will give their contribute to "A dance of bits".

More info coming soon

Recordings

The album has been recorded both in my home studio and at Abbey Road Studios in London.

More info coming soon

You can pre-order a copy of the album now

Pre-order now!

  • A dance of bits

    A concept album of both songs and instrumentals.
    An electrifying blend of pop, electronic, retro-futuristic, ambient, soul and even jazz echoes, carefully crafted to take you on a unique sonic and philosophical journey.
    A tale about the evolution of the technological world we live in today, from simple logic ports to AI, and beyond…

    • Sprin སྤྲིན

      A long-time “bedroom” producer with a passion for creating eclectic and innovative music.

    • Goal

      Triggering emotions and feeding the spirit of those who still can "listen".

    • More about Sprin on:

         

    • Grab you Limited Editions!

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A dance of bits

Out Summer 2025

Pre-order the album now!

As humans, we have fashioned a fresh (uni)verse, a mesmerizing and intangible realm of ethereal beauty blooming from labyrinthine silicon micro-metropolises. This new reality has entwined itself seamlessly with our concrete world to forge a towering citadel within a fortress of shiny dreams and promises; ensnared within its electric embrace, our civilization is now entangled within, bound and compelled to stare at screens like unwitting prisoners in Plato's cave. The drawbridge stands entrenched behind us, unyielding in its solidity... do we still retain the thew to awake and sunder these mental fetters, to blend with the endless light beyond?

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